by Qing, Kayla, Christie and Logan
Our Poems
Wind and Silver by Amy Lowell
Greatly shining,
The Autumn moon floats in the thin sky;
And the fish-ponds shake their backs and flash their dragon scales
As she passes over them.
Nothing Gold Can Stay by Robert Frost
Nature's first green is gold,
Her hardest hue to hold.
Her early leaf's a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.
Artist Statement
Our approach:
We started off with four poems because we had a larger group, so we had to narrow our material down because it didn’t seem achievable to cover everything. After settling on two poems, we picked out some of the themes and ideas that they both had in common. These included:
- Colours: gold and silver
- The natural world: water, wind, flora (leaves, flowers, etc.), Eden
- Light: ‘dawn’, ‘Autumn moon’
- Contrast
- Iridescence
- Impermanence
- Touched-up reality
We decided to work with some of these themes and ideas to create a hybrid work. We created some mood boards with images of concepts we might like to try out. Unfortunately, we couldn’t pull off all of our ideas so they didn’t end up in the final product.
From there, we did a brainstorming activity where we played around with the two poems and how they could be blended together:
Wind. Silver. Gold. Nothing Can Stay
Greatly shining ⚪️ Nature's first green is gold,
The Autumn moon floats in the thin sky ⚫️ Her hardest hue to hold.
And the fish-ponds shake their ⚪️ Eden sank grief,
As she passes over them ⚫️ dawn goes down to day.
Dragon scales ⚪️ only so an hour.
Nothing can stay
🔘
Both of our selected poems have a transitory, eroding, wind like affect.
We decided then to translate poetry as experience—words arranged as fragments, or film edited in a montage. Play with film as a means to access the matrix of meaning we
Moving image, sound and cinematic technique appear laden with symbols for a responder to interpret and live for themselves. We decided to use a contrast between focus and unfocus, filter and unfiltered, hard set frame and loose to highlight the ambiguity of experience. To create a place of relating for the viewer, without an obvious lead from us as collaborating creators.
Issues we encountered:
In the beginning, we were a bit stumped by having too many poems to work with but this was easily solved. The main issue we encountered was not being able to create what we initially intended to. We initially wanted to demonstrate wind with something like gymnastic ribbon or fabric flapping in the wind. When we couldn’t find gymnastic ribbons at any stores on short notice and the weather wasn’t ideal (raining, rather than sunny and windy as we hoped it would be), we had to come up with other ideas. We had a go at filming short clips over the weekend, uploaded them all to Google Drive and then worked as a group to make selections and editing decisions.
Discoveries we made:
Working in a group of four was definitely a new experience for some of us. It was a different kind of work environment with more voices to be heard, unique style preferences and ideas bouncing around between us; however the fact that we all had an interest and engagement with the core ideas behind the poems and video, really sent us in a cohesive direction. There was still enough room within the creativity of the task for each group member to get involved and utilize their strengths while learning from each other.
Another discovery we made was that between the ambiguity of poetry and the ambiguity that can be found in subtle meanings drawn from a few seconds of film imagery, everyone can contrive different connections. For example, while one of us may look at a scene in our video and tie it to the poem as a result of its theme of nature, another one of us may see it relating to the imagery as a symbol of impermanence. This really emphasized the subjective nature of poetry in general.
The Final Product